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But at the same time, many black readers are far from happy with it*. Its portrayal of the defendant Tom Robinson, for instance, is very much the portrayal of a 'respectable Negro', who feels no anger at the injustice of his situation, just regretful sorrow towards the girl accusing him, simple fear of her father, and unmixed gratitude to the white lawyer who remains friends with the white farmers even after they try to lynch him- a lynching which Atticus forgivingly prevents, in itself something of a difficult issue given that, as Isaac Saney points out, 'this act has no historical foundation' and is an unduly rosy portrayal of how 'good' white people acted in the era. Real white people didn't intervene in lynchings, and it's a comforting fiction to pretend otherwise - and a comfort, many would argue, that we have no right to indulge in. Likewise, the African American community of Maycomb shows no desire to resist the oppression they struggle under. The closest they get to concerted action is raising money to support Tom's family in a church collection, an impeccably apolitical response - and again, contrary to actual history: consider, for instance, the case of the ' Scottsboro boys', which provoked not only demonstrations but activism from the African American community, including the NAACP's attempt to provide the defendants with legal representation (whereas Atticus Finch is asked to take on the case by a white judge). No African American character shows the kind of suspicion and wariness towards well-intentioned whites you'd think any normal person would feel in so rigged a system, with the one exception of a rude woman at the maid Calpurnia's church who objects to Calpurnia bringing her white charges along on Sunday but is quickly told not to be 'contentious' by her fellow parishioners, dismissed thus: 'She's a troublemaker from way back, got fancy ideas and haughty ways'. In other words, To Kill a Mockingbird presents the only open expression of black anger towards whites as an aberration that better-minded black people recognise as getting above her station, an interpretation that seems - let us say, somewhat at odds with human nature. The virtuous majority of black characters are acknowledged to feel upset at Tom's fate, but their only action in response is to shower gifts on the white man who tried and failed to save him, and to stand up with quasi-religious deference (the gesture is promoted by their reverend, indeed) when he is 'passin''. ... https://calianfinchman95.files.wordpress.com/2020/06/e-boek-pdf-koxjbmwfdm-1074.pdf https://zakiyadeyon93.files.wordpress.com/2020/06/e-boek-pdf-zxmvksdpfw-9302.pdf • Martin, Lydia (Summer 2007). "Joe Wright's Pride & Prejudice: From Classicism to Romanticism". Persuasions On-Line. Jane Austen Society of North America. 27 (2). Archived from the original on 20 January 2012 . Retrieved 2 March 2012. CS1 maint: ref=harv ( link) https://mahatibolivar93.files.wordpress.com/2020/05/e-boek-pdf-uewdrptwne-2798.pdf https://citlaliwassinger.files.wordpress.com/2020/05/e-boek-pdf-tjmiazwtol-2230.pdf Guy Montag: Chapter 49 • Games • Chapter 19 Summary

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